Art – Summer 2014
I am investigating issues of self-identification within the lexicon of miniature painting, and in the process, re-contextualizing miniature painting in contemporary art. By observing the symbolism and iconography of the cultures around me, I construct imagery that fuses the real with the imagined.
My paintings are a social commentary on the division of society through the iconography of labor. Bricks, lumber, plaster, and bright house paint recur in my oeuvre. Through this process of hunting, lugging, and working with heavy material, I try to empathize with the workforce that I depict and choose to think of art as labor.
As I wander through the streets of Kathmandu on a crisp morning, I take in 80s neon pink, stark black-and-white stripes, an emerald green satin sash . . . These are the immediate colors and textures that glide through my mind as I download this moment’s inspiration.
When I draw, I like using a lot of details. I think of the page as a nonlinear storyboard, with no guidelines for where to go and—hopefully—lots to discover. When I paint, I am a little obsessed with swirling lines. I do love lines.