Skip to content

Posts tagged ‘authors’

Drunk on Ink Q & A with Jamie Sumner ‘Unbound: Finding Freedom from Unrealistic Expectations of Motherhood.’

Drunk on Ink is a fun blast interview with writers, artists, filmmakers and more conducted by Soniah Kamal, Jaggery Blog Editor.

 

Read  Jaggery Issue 11 Spring 2018

Jamie Sumner is a writer and mom living in Nashville. She is the author of the book, Unbound: Finding Freedom from Unrealistic Expectations of Motherhood. She has written for The Washington Post, Scary Mommy and Parenting Special Needs Magazine and has an essay forthcoming in The New York Times. She is also an editor at Literary Mama. She can often be found at the park with her three kids, the dog and a large cup of coffee. All the writing happens when everyone else is asleep.

Publishers Weekly says…

Feeling imperfect? There are mom-books for that – offering solace in faith and welcome infusions of humor as well. Jamie Sumner, in Unbound: Finding Freedom from Unrealistic Expectations of Motherhood (FaithWords, April 10) describes her journey through infertility and special needs parenting. Her trip has not been easy, but Sumner found in the Bible stories of women who show her hope, companionship and triumph in releasing herself in God’s hands.

UNBOUND gives hope and encouragement to all women whose picture of motherhood is strained by disillusionment, otherness and even despair. Women do not talk enough about the reality of motherhood: the struggle it takes to get there, the loneliness of it, the unmet expectations. We are often too ashamed to share our difficult stories. We quietly absorb the posts of sonograms and happily messy houses on Facebook as we inwardly wonder what’s the matter with is. We struggle to meet the everyday needs and special needs of our kids, caught by surprise that this is what motherhood looks like. With honestly and vulnerability, JAMIE SUMNER walks readers through each stage of her own journey to motherhood through infertility and special needs parenting.

 

Soniah Kamal:  First author/book you read/fell in love with?

Jamie Sumner: I have two books that wooed me at two very different times in my life. The first was C. S. Lewis’s The Lion, the Witch, and the Wardrobe. It was the first book to make me believe that magic could be hiding anywhere. The second was Anne Lamott’s Operating Instructions: A Journal of My Son’s First Year. I read it in the NICU after my son was born and felt for the first time that no, it’s not just me and this particular situation, all mothers feel this crazy.

 

To unwind: chai, coffee, water, wine?

Coffee to start. Wine to end.

 

A novel, short story, poem, essay, anything you believe should be mandatory reading?

As a former English teacher, my list is long. But I will say, Lord of the Flies. It’s such a testament to the unraveling chaos of our human nature when all the rules disappear. It’s like every single episode of Survivor made real.

 

Any classic you wished you’d pushed through in your teens?

Ah yes. Grapes of Wrath. I just couldn’t get through it. Steinbeck is a genius, but it took East of Eden to lure me in and make me go back for this one.

 

A favorite quote from your book? 

I have two:

“Life is a continual etching and erasing. We form expectations and God forms reality. Sometimes they line up nicely, like tracings at right angles. And sometimes God plays Jackson Pollock and we’re all over the place.”

“Motherhood is often like this, a continually changing plan that has you kicking the tires and eating fried rice.”

 

Your favorite book to film?

The first Harry Potter. It is magic made perfect.

 

Favorite Indie Book Store/s?

Parnassus here in Nashville.

 

The one think you wish you’d known about the writing life?

I wish I had known that creation happens in secret, but promotion is one big loud shout through the megaphone. Being a professional writer in the modern world takes both the quiet and the noise.

 

Does writing/publishing/marketing get any easier with each story/novel published?

Nope. You build your platform and hope that street cred will get you places. But ultimately, each work must stand on its own. Marketing gets easier with practice, but the writing and publishing reset with each book.

 

Dog, Cat, Or?

Dog! I have had my Zoe longer than I have had my husband. She might be my soulmate.

Favorite book cover?

I love Rupi Kaur’s the sun and her flowers with the hand-drawn sunflowers. It’s simple and genius, much like her work.

 

Favorite song?

“Heavenly Day” by Patty Griffin. It makes me want to take a nap in a field.

 

Favorite Small Press and Literary Journal?

As an editor for Literary Mama, I have to vote for us on this one. We hit such a unique market—mothers who write, and write well, and writers whose works hit on the mother-child relationship. We celebrate the famous and the up-and-coming and the great small press finds. We love it all.

 

Last impulse book buy and why?

I bought The Power by Naomi Alderman because I was 39th in the hold list at the library and needed in now. It was worth it.

 

Soniah Kamal’s novel ‘UnMarriageable: Jane Austen’s Pride & Prejudice in Pakistan is forthcoming from Penguin Random House USA. Her debut novel An Isolated Incident was a finalist for the Townsend Prize for Fiction, the KLF French Fiction Prize, and an Amazon Rising Star pick. Soniah’s TEDx talk, Redreaming Your Dreamis about regrets, second chances and redemption. Her story Jelly Beans was selected for The Best Asian Stories Series 2017 and her award winning and Pushcart Prize nominated work has appeared in numerous publications including The New York Times, The Guardian, BuzzFeed, Literary Hub, Catapult and The Normal School.

Naipaul on Writing A House for Mr. Biswas

Love him or hate him, this is a poignant piece by V. S. Naipaul about what writing A House for Mr. Biswas meant to him.  (Published in 1983, but I think the sentiments are timeless…)

Of all my books A House for Mr. Biswas is the one closest to me. It is the most personal, created out of what I saw and felt as a child. It also contains, I believe, some of my funniest writing. I began as a comic writer and still consider myself one. In middle age now, I have no higher literary ambition than to write a piece of comedy that might complement or match this early book.

The book took three years to write. It felt like a career; and there was a short period, toward the end of the writing, when I do believe I knew all or much of the book by heart. The labor ended; the book began to recede. And I found that I was unwilling to reenter the world I had created, unwilling to expose myself again to the emotions that lay below the comedy. I became nervous of the book. I haven’t read it since I passed the proofs in May 1961.

My first direct contact with the book since the proofreading came two years ago, in 1981. I was in Cyprus, in the house of a friend. Late one evening the radio was turned on, to the BBC World Service. I was expecting a news bulletin. Instead, an installment of my book was announced. The previous year the book had been serialized on the BBC in England as “A Book at Bedtime.” The serialization was now being repeated on the World Service. I listened. And in no time, though the installment was comic, though the book had inevitably been much abridged, and the linking words were not always mine, I was in tears, swamped by the emotions I had tried to shield myself from for twenty years.

Lacrimae rerum, “the tears of things,” the tears in things: to the feeling for the things written about—the passions and nerves of my early life—there was added a feeling for the time of the writing—the ambition, the tenacity, the innocence, My literary ambition had grown out of my early life; the two were intertwined; the tears were for a double innocence.

read rest here in the New York Review of Book.