Art – Spring 2014
Sa’dia Rehman works with themes such as isolation, shame, and hidden social boundaries. Her installations, sculptures, and works on paper explore subjects that are considered taboo such as sexuality, power hierarchies, and normative ideals around gender.
Understanding India is as futile as finding the sun at night. Unlike any other place I’ve been, this is a country to feel, to take a deep breath and sense, and it will all come to you. Out of all this contrast and shapeshifting, there’s something that sweeps the whole country: life.
My film explores the emotional state of a woman’s mind: her relationship with self, her relationship with the other woman, her relationship with the divine, her relationship with Mother Earth, her relationship with humanity.
In 2010, I went with a team to Nepal to process refugee applications of ethnic Nepalis who fled Bhutan from persecution or were forcibly repatriated back to Nepal by the Bhutanese government. On my time off, I explored the cities of Damak, Kathmandu, Bhaktaphur, and Dharan.