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A Dinner Party at the Home Counties by Reshma Ruia 

Reviewed by Sushumna Kannan 

Reshma Ruia’s poems echo the thoughts of nearly everyone in the diaspora. Her title poem is a subtle take on the typical questions directed at one’s identity, not one’s self, at a dinner party. It deals skillfully with the vast array of experiences in the diaspora, especially the patronization and the labeling. And the stereotyping that makes others ask about arranged marriages and stipulates the things the protagonist can and cannot speak of—since the conversation will typically lead to—further exoticization or deprecation or just plain misunderstanding. Ruia shows us why attending a dinner party in the home counties is fine act of balancing      

What is life like in the diaspora, anyway? What is this fuss, you ask. Experts have reflected on various aspects of the question for a few decades now, sweeping English literary studies, at least, with concepts of alienation, split self, nostalgia and hybrid identity. Despite the disciplinization of Diaspora Studies, the experiences of the diasporic appear to have remained tragically unchanged; the people they interact with have no inquisitiveness or have too much of it. Or, perhaps there has been a small shift from Orientalism, i.e., viewing India, for instance, as the land of snake charmers, caste system, elephants, tigers, mosquitoes and of course, the inimitable Kamasutra. For some of the diasporic, life away from homeland is peppered with the excusable chai tea, naan bread and henna tattoo, while for others, it is displacement, loneliness and self-mockery arising from low self-esteem. For some, it is exhausting and exciting simultaneouslywhile for others, it is home and hell flowing into one another seamlessly 

In the diaspora, it appears, one is always attending an interview—are you following rules, are you highly-skilled, are you dressed appropriately and so on. One must earn one’s place in it notwithstanding the equivalency certificates; they amount to littleThere is a sense of betrayal because the promise was of equality and non-discrimination—an elusive thing that never translates into reality. Life in the diaspora for too many of us is, constant contending with ambiguity and muttered phrases that only we can hear but never be sure of hearing. Akin to the men who grope you in crowded places—although this one’s a world-wide phenomenon—stumping you a little every time, no matter how much you practice what to say or do.    

Ruia’s poems cover all these different themes of diaspora life but not with half the brazenness of prose with which I have listed them. Instead, her delicate, precise, subdued and muted observations of the everyday unravels exactly how alienation, even assimilation takes place through a series of poetic, resonating and striking imagesThe book of nearly fifty poems is divided unequally into three sections, Beginnings, The Space Between and Endings. In Beginnings, Ruia explores writing from a male point of view and follows a stream of consciousness methodHer exploration of the convenient excuse for mispronunciations of names is on point. There are inner rhymes and occasional rhymes with little commitment to follow them through the entirety of the poem. Millennials are anyway undecided about rhyme schemes, I think—they love it, they hate it.  

Ruia touches upon the violence of partition in “1947,” through a series of impactful images that convey their charm in collage-like scenesThen there is Mrs. Basu, the deported woman, who contrary to common expectations, is relieved, even happy that she is going back home. Some of the following lines from “Biography” about a mother or her namesake stood out. They are beautiful 

She flings me high as she sings out loud. 

Folds her arms, watching me  

as I fall. 

Ruia takes on the hypocrisy of anti-immigration in “Brexit Blues” and explores the feelings of a mother who has followed her son to the UK next. The mother’s woe is also the tragedy of her son being an MBA in India but driving vans in London for a living. Again, as an expectant mother’s thoughts, the following lines stood out.  

You won’t fell me down, my unborn child, 

with your love or your blows.  

I would read them as emerging from the overwhelming love one feels for one’s child. In the second section, The Space Between, the description of meeting with an old friend is poem with great flow and apt words. I loved these the best although they must be read within the context of the poem 

The fairy tales she sings to herself.  

I forgive them all. 

In “The Patient,” Ruia is fairly direct in sketching the experience of being black. There is sense of immediacy and irreverence in this poem. Ruia uses reported conversations and dialogue with care. She doesn’t restrict herself thematically at all and explores a wide range of thoughts and situations, revealing a complex, sensitive and thinking human being behind her words. I was puzzled by where Pomology was going though. Is Ruia mourning the loss of youth? But why? Aging is beautiful too. Especially for those women who are not invested in what others think of them or think of themselves as mere bodiesThe poem begins as a critique of the beauty industry but appears to end with nostalgia for youth 

In the final section, Endings, Ruia ruminates on old age, the death of a parent and the like, sneaking lovely little insights on mundane or life-altering events. She offers beautiful observations on powerful themes and shapes her poems variouslymonologue, ballad, prayer, conversation. Ruia walks us through her ideas slowly, exploring it in depthallowing us to savour it. On the whole, a great collection focused on the unfunny predicament of hailing from a colonized, interrupted culture and having to explain oneself a lot, while the colonizer culture somehow has no explaining to do at all.

Sushumna Kannan is Jaggery Senior Reviews Editor and has a PhD in Cultural Studies from Centre for the Study of Culture and Society, Bangalore, India. Her research on the South Asian devotional traditions and feminist epistemology focused on the medieval saint, Akka Mahadevi and her vachanas. She received the BOURSE MIRA, French research fellowship in 2006 and 2007 and the Sir Ratan Tata fellowship for PhD Coursework and Writing in 2003 and 2007. She has published her research on Bhakti, dharmashastras, ethics, women’s writing in Kannada and English as well as on translation theory in peer-reviewed journals and as book chapters. She is currently working on a couple of book projects and the translation of Kannada fiction into English. She also writes poems. One of her articles was nominated for the Laadli media awards 2017. She is currently Adjunct Faculty at the San Diego State University, San Diego, USA. For more of her writings, visit

Issue 15: Spring 2020



The music rushed back. I felt her bare arms slide over my skin as she rose and sat before a mridangam. Drum and sitar, we played the tone she directed. The sound mixed notes of nostalgia with the clanging present, the rhythm of the future. 

Broken Dolls

From the wardrobe she shared with Santanu, she pulled out her maimed dolls and spread them out on the bedroom floor. None of them was as broken as her brother. She kicked her dolls and stomped on them and pulled out their hair. Yet, nothing could assuage her anger.

Insignificant Man

I resolved to spend my days tailing him around the house, to win over his friendshipWho knows? Perhaps one day he would bend his head over, hook pinkies with me and show me his secret diary, just like Anjali, my best friend back in school, had! 

Maachér Jhol (Fish Stew)

You center your ethnic cravings around tandoor, samosa, naan, aloo gobi — never kitchüri or dal. Those meals still remind you of the childhood shame of being Indian.


A Textbook Afternoon

The end of the road


Bardo Thödol for a Woman from Kumik

Essays & Interviews

A Dinner Party at the Home Counties by Reshma Ruia

Intelligent and powerful! 

Where the Sun Will Rise Tomorrow by Rashi Rohatgi

Fearless and Breath-taking!  

Sunshine Blooms and Haiku by Sneha Sundaram 

Beautiful ode to the haiku form.

Quichotte by Salman Rushdie

Lacking impact!

Exit West by Mohsin Hamid

Exploiting the power of ambiguity with a clear authorial voice!

Gariahat Junction by Rituparna Roy

Lyrical debut by a promising writer!


A Dinner Party at the Home Counties by Reshma Ruia

Intelligent and powerful! 

Where the Sun Will Rise Tomorrow by Rashi Rohatgi

Fearless and Breath-taking!  

Sunshine Blooms and Haiku by Sneha Sundaram 

Beautiful ode to the haiku form.

Quichotte by Salman Rushdie

Lacking impact!

Exit West by Mohsin Hamid

Exploiting the power of ambiguity with a clear authorial voice!

Gariahat Junction by Rituparna Roy

Lyrical debut by a promising writer!

Staff Bios

SusheelaManaging Editor & Copyeditor Susheela Bhat is a first generation American desi, a Chicago-based multimedia science writer, and newbie programmer who grew up listening to and reading SF/F stories. Having noticed similar disparities within SF/F and the STEM fields (where she worked as a communicator) Susheela is determined to level the playing field for minorities in both worlds. When she’s not immersed in various nerdy activities, you can find Susheela rambling around Twitter @SoosheBot.

Based out of Southern California, blogger Kunj Bhatt has a Bachelors degree in Sociology with an emphasis in Asian American studies. Interests include: Monsoon season, Chai and Peppermint Hot Chocolate, meme and parody Instagram accounts, anything out-of-the-ordinary or magical, and of course, all forms of Art.IG: @monsoonschai Twitter: monsoonschai Blog:



Designer Amrita Chanda does graphic design and writes code to make pretty pictures, occasionally dabbles in film-making, and is obsessed with the classical dance form of Odissi. To contact her, send her email at



Selma Carvalho is a British-Asian writer and author of three non-fiction books documenting the Goan presence in British East Africa. Her short fiction and poetry have been published by LitroLighthouse, online Mechanics’ Institute Review (Birkbeck) and Kingston University Press. Her work appears in 12 anthologies and has been translated into the Portuguese for the Journal of Portuguese Diaspora Studies, 2018. She has received a nod from numerous major competitions, including Bath and Fish, and notably as a shortlist finalist for the London Short Story Prize 2017, runner-up for the Dinesh Allirajah Prize 2017, New Asian Writing 2017, and Dorset Fiction Award 2018, and winner of the Leicester Writes Prize 2018. Her collection of short stories was long-listed for the prestigious SI Leeds Literary Prize 2018. The publication of a novella and short story collection are forthcoming.

Webmaster Heina Dadabhoy is an occasional writer of non-fiction on The Orbit and a frequent, avid consumer of fiction. Their originally Gujarati family has branches in Mauritius, Burma, India, Pakistan, Bangladesh, Canada, and the UK. They hold a degree in English and Philosophy from the University of California, Irvine and have engaged in public secular and social justice activism since 2010. Southern California born and raised, they live not far from Little India with their rotating menagerie of foster cats and incredibly patient husband.


Senior Poetry Editor Prathim-Maya Dora-Laskey teaches English and Women’s Studies at Alma College (MI) after graduate school on three continents. An alumna of Stella Maris College in Chennai (India), her awards include scholarships from the Pennathur foundation, the FSA board at the University of South Carolina, and a Violet Morgan Vaughan award at the University of Oxford (UK). Previously a poetry editor at DesiLit Magazine and a current moderator at SAWNET (, she has published work in Contemporary South Asia, Interventions: A Journal of Postcolonial StudiesSouth Asian Review, and Hypatia: A Journal of Feminist Philosophy . She lives with her partner and their four kids (two human, two canine).


Contributing Editor V.V. Ganeshananthan is a fiction writer and journalist whose debut novel, Love Marriage (Random House), was named one of Washington Post Book World’s Best of 2008 and long-listed for the Orange Prize, and chosen a Barnes & Noble Discover Great New Writers pick. The book, set in Sri Lanka and some of its diaspora communities, was widely translated. Her work has appeared in The New York Times, Columbia Journalism Review, The Washington Post, The Atlantic, among others. A recipient of fellowships from the National Endowment for the Arts and the Radcliffe Institute of Advanced Study at Harvard, she teaches in the MFA program at the University of Minnesota. She has also taught at the University of Michigan and the Iowa Writers’ Workshop. She is at work on a second novel, portions of which have appeared in Granta, Ploughshares, and Best American Nonrequired Reading 2014.

Domestic violence and abuse volunteer, Poetry Editor Pooja Garg is currently working on a project chronicling survivor stories. Founder, Managing Editor for The Woman Inc. which aims at providing a platform and resources for abuse victims and survivors, Pooja combines writing with grassroots activities including poetry as therapy workshops. Chosen by Eclectica as Best of Poetry in the last 20 years, Shabana Azmi called her debut collection of poems ‘very moving and a must read’. Invited by Indian High Commission in New York and other platforms for poetry reading, her poems, essays and articles have found place in The Feminist Wire, The Aerogram, Boston Coffee House, The Missing Slate, The North East Review, The Brown Critique, Jaggery, India Resists, The Bangalore Review, Muse India, Open Road Review, Cafe Dissensus and various poetry anthologies. With extensive experience in journalism and publishing, Pooja has been Principal Correspondent for India Today and Bureau Chief, New Delhi for CIO. Stepping down as Poetry Editor for Open Road Review, Pooja joins Columbia Business School in her endeavor to learn and optimize on-ground and outreach efforts at her non-profit. After her earlier stint as Book Review Editor, Pooja is happy to be back with Jaggery as Poetry Editor. Always looking for quietude, Pooja believes her words are incidental.


Senior Fiction Editor Atreyee Gohain teaches English at the University of North Florida. A fiction editor with Rupa in another life, she is also an avid translator and translates from Assamese to English. Her translations have been published individually in Indian Literature and in anthologies brought out by Penguin (Her Story) and Oxford University Press (The Oxford Anthology of Writings from North East India). At Rupa, she helmed the series Rupa Kahani and Rupa Ekanki, small collections of short stories and one-act plays, translated from various regional languages into English. She holds a PhD in English from Ohio University, where she wrote her dissertation on the topic of women and mobility in the fiction of women writers in India and the U.S. She lives in Jacksonville, Florida, with her husband and nine-year-old handful of a daughter.

Contributing Editor Anjali Goyal is a development associate at the Asian American Arts Alliance and serves on the board of the South Asian Women’s Creative Collective (SAWCC). Anjali has freelanced as a research assistant and copy editor for many publications, and from 2003–08, she was the programs director at the Asian American Writers’ Workshop in NYC. She received a BA in English from Ohio University in Athens, Ohio.


Columnist Minal Hajratwala is the author of Leaving India: My Family’s Journey From Five Villages to Five Continents (2009), which has been called “incomparable” by Alice Walker and “searingly honest” by The Washington Post. The book won a Pen USA Award, an Asian American Writers Workshop Award, a Lambda Literary Award, and a California Book Award. She is editor of Out! Stories From the New Queer India (2012), the first anthology of LGBT literature published since the decriminalization of homosexuality in India. As a writing coach, she has taught workshops nationally and internationally at universities, online, and via community organizations including the Voices of New America summer program on the University of California-Berkeley campus. She is a graduate of Stanford University and a former National Arts Journalism Program fellow at the Columbia University Graduate School of Journalism. She spent 2010–11 as a Fulbright Senior Research Scholar in India researching a novel, while also writing poems about the unicorns of the ancient Indus Valley.

WafaEssays Editor Wafa Hamid is Assistant Professor in the Department of English, Lady Shri Ram College for Women (LSR), New Delhi. She is pursuing her doctoral research at the Centre for English Studies, Jawaharlal Nehru University (JNU), New Delhi where she also obtained her M.Phil in 2011. Her research explores the relationship between aesthetics and politics and focuses on the representation of marginalized subjectivities thereby leading to a negotiation of boundaries between public/private, past/present, centre/periphery, and self/other. Her areas of interest include: Gender Studies, Literary Theory, Popular Culture, Women’s Writing, Culture Studies, and Translation Studies among others.

Webmaster Jed Hartman is a technical writer and former fiction editor whose extracurricular interests include logodaedaly, interdigitation, sesquipedalia, and lapsus linguae. His fiction and nonfiction have appeared in All-Star Zeppelin Adventure Stories, Clean Sheets, Fishnet, Flytrap, Strange Horizons, and Wet.  For more about him (or to read his blog), see his website.

GhadaReviews Editor Ghada Ibrahim is a 21-year old student, blogger and graphic designer. A workaholic with a craze to devour all that the world has to offer, she currently writes for horror blog and freelances on the side. Expression in the form of writing comes easier to her than speaking. A bookworm, she is an avid reader of all genres focusing mainly on mystery, crime and thriller novels.Soniah

Blog Editor Soniah Kamal is a Pushcart Prize nominated essayist and fiction writer. Her novel ‘UnMarriageable: Jane Austen’s Pride & Prejudice in Pakistan is forthcoming from Random House USA (2018). Her debut novel An Isolated Incident was a finalist for the Townsend Award for Fiction, the KLF French Fiction Prize, and is an Amazon Rising Star pick. Soniah‘s TEDx talk, Redreaming Your Dream, is about regrets, second chances and redemption. Soniah’s short story ‘Fossils’, judged by Claudia Rankine, won the Agnes Scott 2017 Festival Award for Fiction. Her short story ‘Jelly Beans’ is selected for the 2017 Best of Asian Fiction Anthology. Her work has appeared in numerous publications including The New York Times, The Guardian, Catapult, The Normal School, The Chicago Quarterly Review, The Missing Slate, BuzzFeed, The Huffington Post, The James Dickey Review,, Literary Hub, and has been widely anthologized. Soniah was born in Pakistan, grew up in England and Saudi Arabia and currently resides in the U.S.

Senior Reviews Editor Sushumna Kannan has a PhD in Cultural Studies from Centre for the Study of Culture and Society, Bangalore, India. Her research on the South Asian devotional traditions and feminist epistemology focused on the medieval saint, Akka Mahadevi and her vachanas. She received the BOURSE MIRA, French research fellowship in 2006 and 2007 and the Sir Ratan Tata fellowship for PhD Coursework and Writing in 2003 and 2007. She has published her research on Bhakti, dharmashastras, ethics, women’s writing in Kannada and English as well as on translation theory in peer-reviewed journals and as book chapters. She is currently working on a couple of book projects and the translation of Kannada fiction into English. She also writes poems. One of her articles was nominated for the Laadli media awards 2017. She is currently Adjunct Faculty at the San Diego State University, San Diego, USA. For more of her writings,


Contributing Editor Ellen Kombiyil is a poet, writer, and writing teacher. Her work has appeared or is forthcoming in Barely South Review, Beloit Poetry Journal, Cider Press Review, Cordite Poetry Review, Poemeleon, Redactions, Spillway and Spry, among others. Honors include a 2013 nomination the Pushcart Prize, and a 2012 nomination for Best of the Net. She is a Founding Poet of The (Great) Indian Poetry Collective which publishes first and second books, showcasing new poetic voices from India.

Reviews Editor Mary Ann Koruth’s writing and reviews have appeared in The Indiana Review,The Rain Taxi Review of Books and The Hindu. She has written for while interning as web editor, and has covered art and culture for other publications. Her love for the English language came from growing up in a family where fidelity to literature and grammar bore a moral dimension. She is currently a candidate in the Rutgers-Newark MFA in creative writing.

Associate Editor Neha Kumar is a Management major at the University of Illinois at Chicago looking to pursue a career in human resources or public relations. In addition to her studies, she enjoys working on the executive board for the Management Leadership Association, watching documentaries, and cooking Indo-American fusion food.

AnuEditor-in-Chief Anu Mahadev is a left brained software engineer- turned right brained creative poet! Originally from India, she is now based out of New Jersey, with her husband and son. She is a recent MFA graduate of Drew University and a prolific writer. Other words to describe her are dreamer, choir singer, social bee, book and movie addict, avid hiker, lifelong learner and traveler. She writes mostly about love, life and the ties that bind us.



Essays Editor Sandhya Rao Mehta graduated from St. Stephen’s College, Delhi a millennium ago and got a PhD in expatriate literature as the diaspora was not a very fashionable term just then. She is presently working at Sultan Qaboos University, Oman. Diaspora in all shapes and sizes interests her, even more so if its framed in the context of everyday life. Her most recent publications include an anthology on language studies, focusing particularly on the way English is evolving among those who have adopted it as their own.

Mary Anne

Consulting Editor Mary Anne Mohanraj was born in Colombo, Sri Lanka, and is author of Bodies in Motion (HarperCollins) and nine other titles. Bodies in Motion was a finalist for the Asian American Book Awards, a USA Today Notable Book, and has been translated into six languages. Previous titles include Aqua Erotica and Wet (two erotica anthologies edited for Random House), Kathryn in the City and The Classics Professor (two erotic choose-your-own-adventure novels, Penguin), and The Best of Strange Horizons. Mohanraj founded the World Fantasy Award-winning and Hugo-nominated magazine, Strange Horizons. She was Guest of Honor at WisCon 2010, received a Breaking Barriers Award from the Chicago Foundation for Women for her work in Asian American arts organizing, and won an Illinois Arts Council Fellowship in Prose. Mohanraj has taught at the Clarion SF/F workshop, and is now Clinical Assistant Professor of fiction and literature and Associate Director of Asian and Asian American Studies at the University of Illinois at Chicago. She serves as Executive Director of both DesiLit ( and the Speculative Literature Foundation ( Recent publications include The Stars Change, a Lambda-finalist science fiction novella featuring South Asians who have settled a university planet. She lives in a creaky old Victorian in Oak Park, just outside Chicago, with her partner, Kevin, two small children, and a sweet dog.


Contributing Editor Dipika Mukherjee’s second novel, Shambala Junction, won the UK Virginia Prize for Fiction (Aurora Metro, 2016). Her debut novel, Thunder Demons (Gyaana, 2011), was longlisted for the Man Asian Literary Prize and republished as Ode to Broken Things (Repeater, 2016). She won the Liakoura Prize for Poetry (USA, 2016) and the Gayatri GaMarsh Award for Literary Excellence (USA, 2015) as well as the Platform Flash Fiction Prize (India, 2009). Her short story collections include Rules of Desire (Fixi, 2015) and edited collections include Champion Fellas (Word Works, 2016), Silverfish New Writing 6 (Silverfish, 2006) and The Merlion and Hibiscus (Penguin, 2002). She has two poetry collections: “The Third Glass of Wine” (Writer’s Workshop, 2015), and The Palimpsest of Exile, (Rubicon Press, 2009). She lives in Chicago,

Swapna Narayanan is a Bangalore based author who writes on women empowerment, parenting, corporate life etc. Her work has been published in, TheNewsMinute, TheWomanInc, The Centurion, YourStory etc. An efficient communicator, she lectures in various forums and participates in panel discussions, talk shows about Women in Corporate Life as well Technical & Business Communication.

Arts Editor Srividya Ramamurthy is a founder and CEO of Dynamic Instance, a company which provides leadership coaching as well as coaching to produce high performing team while enabling women in leadership roles. Based out of New Jersey, in her life before being an entrepreneur, she was a Senior Vice President at Bank of America, being recognized as an “Emerging Leader” across the globe.  She initiated and chaired coaching programs for women and was an actively involved in providing career path and growth path for her global team. While donning various hats she has kept her passion to performing arts,  Bharatanatyam dance form alive and intact. She has performed in various venues and continues to learn being a life-long student of arts. She has tremendous interest in music and can play the violin. She  hails from a family of musicians and credits them for making her try and pursue fine arts .

Fiction Editor Reshma Ruia is a published author based in Manchester. She has written two novels and her short stories and poetry have appeared in various international anthologies and journals as well as commissioned for Radio 4. She is also a co-founder of The Whole Kahani, a writers’ collective of South Asian British writers. Their aim is to increase the visibility of South Asian emerging voices and their second anthology of short stories, ‘May We Borrow your Country,’ will be published in January, 2019. As a founder she has been responsible for submissions, editing and marketing of their anthologies as well as promoting their digital presence. She is an avid reader and very aware of the contemporary South Asian literary scene. She also has a Masters (Distinction) and a PhD in Creative Writing from Manchester University.

Zohra Shaik is a software engineer who lives in Chicago,IL and hails from Hyderabad, India. She is an enthusiastic writer and an avid reader. She is a self-help specialist and runs Ayesha, a movement to empower teenage girls. She is heavily involved with volunteer work for the elderly and the disadvantaged. She reviews written works on her blogging site She is a contributor on Women’s web and writes passionately about women’s issues. She brings with her a diverse unique perspective that comes from years of reading, writing and simply being human.

Essays Editor Vidya Shetty is a product strategist at Walt Disney Media in New York City. She has a BS in Architecture, a Master’s Degree in Information Sciences from Northeastern University, and is currently an Executive MBA candidate at Cornell University. She finds great joy in reading, traveling and writing.

Fiction Editor Yamini Vasudevan has worked as an Editor/Writer for book publishers, magazines and newspapers (including Harper’s BAZAAR, The Hindu Business Line and Culturama) for about 20 years. She has a long-standing interest in South Asian fiction, and has read a whole bevy of authors since young – from Ruth Prawer Jhabvala and R.K. Narayan to Khushwant Singh and Rohinton Mistry, from Anita Nair to Amitav Ghosh. In recent years, I have become more interested in literature in the Indian vernacular – and relied on the efforts of dedicated translators to explore that segment. She has also tried her hand at writing fiction, and was the winner in the ‘Romance’ category in the Indireads Short Story Contest in 2013. One of her stories, ‘Serendipity’ was published in , an anthology of short stories centered around the human-centric positive side of India-Pakistan relations.




MANAGING EDITOR: Susheela Bhat Harkins

ART: Srividya Ramamurthy
ESSAYS: Wafa Hamid (senior), Sandhya Rao Mehta, Vidya Shetty
FICTION: Atreyee Gohain (senior), Reshma Ruia, Yamini Vasudevan
POETRY: Prathim-Maya Dora-Laskey (senior), Pooja Garg
REVIEWS: Ghada Ibrahim, Sushumna Kannan (senior), Mary Ann Koruth,

COPY EDITOR: Selma Carvalho

CONTRIBUTING EDITORS: V.V. Ganeshananthan, Anjali Goyal, Dipika Mukherjee, Ellen Kombiyil

BLOG EDITOR: Soniah Kamal
BLOG WRITERS: Zohra Shaik, Kunj Bhatt, Swapna Narayanan

WEBMASTERS: Heina Dadabhoy, Jed Hartman
DESIGNER: Amrita Chanda